Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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Caravaggio The young Bacchus oil painting


The young Bacchus
mk234 1590-first century 94x85cm
Painting ID::  53779 		Caravaggio
The young Bacchus
mk234 1590-first century 94x85cm
   
   
     
Caravaggio Marie dod oil painting


Marie dod
mk234 1605/06 370x244cm
Painting ID::  53780 		Caravaggio
Marie dod
mk234 1605/06 370x244cm
   
   
     
Caravaggio Maltiden in Emmaus oil painting


Maltiden in Emmaus
mk234 1600-01 140x195cm
Painting ID::  53781 		Caravaggio
Maltiden in Emmaus
mk234 1600-01 140x195cm
   
   
     
Caravaggio The entombment oil painting


The entombment
mk244 300x203cm Oil on canvas Rome
Painting ID::  55754 		Caravaggio
The entombment
mk244 300x203cm Oil on canvas Rome
   
   
     
Caravaggio boy with a basket of fruit oil painting


boy with a basket of fruit
mk247 c.1593,oil on canvas,27.5x26.375 in,70x67 cm,galleria borghese,rome,ltaly
Painting ID::  56036 		Caravaggio
boy with a basket of fruit
mk247 c.1593,oil on canvas,27.5x26.375 in,70x67 cm,galleria borghese,rome,ltaly
   
   
     
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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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